Learn to play latin rhythms on the drum set at Dye House Drum Works, Leicester
I remember seeing – years ago – one of the old DCI Publishing VHS videos (we used to have them running in the shop all day in my retail days!) which had trailers featuring other titles available in their catalogue. One of these was for a latin-centred release by Airto Moreira. If you are not familiar with his work (I wasn’t at the time) check him out. Tracking down some of the content of this video is something I have had planned for a while and only recently finally got round to it. The Airto sticking is in the initial pattern and as I played around with this, I kind of ran with the ball… Have a play! …and speaking of footballs 🙂 check my new notation ‘scoring’ package, from Sibelius First: Continue reading →
I’ve been planning – and playing with – several new live projects over the last year or so and it’s been a lot of fun! Getting back into the creative worlds of free improvisation, jazz and original music, I have been lucky enough to play with excellent players at some great events. Continue reading →
Have you ever finished playing or practicing your instrument, or come out of a gig, with your ears ringing? If so, you could be storing up long term problems for your hearing. Tinnitus (an unexplained ringing or buzzing in the ears) is a common condition among musicians and, though often temporary, can be an early sign that your hearing is getting damaged and so should not go unchecked.
New Aquarian, Big Dog and Shaw Sticks accessories arrive!
We have just had a shipment of accessories come in, including Aquarian Texture Coated heads and Big Dog pedals, hi hat clutches and tension bolts. Shaw Sticks products in stock now include Rock and Fusion damper pads for quieter practice; retractable wire brushes and soft beaters – all the quiet stuff!! I am particularly excited about the Aquarian Tru Bounce and Quik Bounce practice pads here – these are excellent (and quiet!). Two of the 12″ models will feature in the new technical/warm-up stations in our tuition rooms, but more about those later…
Visit the shop page for more details and to arrange a viewing.
I had been looking recently for jam night events in and around Leicester, mainly to put together an event list for students at DHDW to help them gain live playing experience. In amongst this internet and pub trawl (crawl?!) I was also on the lookout for any opportunities to stretch my own jazz-playing legs, as this is an area I have not exercised – outside of the teaching studio – for some time now. How happy I was then, to happen across the Modern Jazz Jam held at the Regency Sports and Social Club in Leicester: Two-for-one! Continue reading →
Dye House Drum Works: a Rockschool exam centre in Leicester.
I’ve been teaching the Rockschool syllabuses pretty much since they started out, on a machine cassette-based audio format (true!). Since then, they have displayed a keen ambition in developing constantly relevant content and garner ever wider international recognition for their qualifications. Many of my students have benefited greatly from the structured learning these grade packs bring and indeed, have secured places on some of the country’s best contemporary music further and higher education courses with the aid of performance skills or UCAS points gained from pursuing them.
Dye House Drum Works is a registered Rockschool Public Examinations Centre and runs open exam days throughout the year. See the Rockschool website for details.
This past week or so I’ve been working on songs for a dep gig with a great band of local musician friends I’ve had the pleasure of working with on and off for some years. Their set is comprised of classic R&B, motown, funk and soul material, with some of the world’s top drummers in the chair on the original recordings – and so my job here is proving to be once again an enjoyable challenge!
One particular song on the list is a firm favourite with many and varied cover bands – and one which I have played on lots of occasions with several different outfits, but I would have to say that its truly sublime feel has proved to be one of the most elusive and revisited grooves with which I have ever wrestled to the point where, to date, I’ve never been happy with how I play it! …and this track was originally recorded by a guy who probably wouldn’t consider the drum kit to be his first instrument! Continue reading →
Respect – performed by Aretha Franklin, 1967 (written by Otis Redding).
Drummer: Gene Chrisman
Much of the rock & pop approach to drum rhythms relies heavily on a 2 & 4 ‘backbeat’ feel and in more recent times, regularity and repetition through the entire kit has proved to be the fashion.
I’ve played this song many times, but only quite recently stumbled upon the bare unpredictability of the bass drum here in Gene Chrisman’s playing. For me, it’s the totally natural work of a master with very much the whole picture in mind. Continue reading →