Welcome to the new-look Dye House Drum Works – for drum lessons in Leicester – thank you for visiting!
My name is Lee Boyd Allatson and I have been a providing professional drum lessons in Leicester for 30 years. I opened Dye House Drum Works back in October 2009 and since then have been providing drum lessons and drum equipment to many local players. We provide drum lessons for children and drum tuition for beginners through to advanced drumming and preparation for further and higher education. Whatever your drumming needs – we are here to help!
There are many great services provided by Dye House Drum Works drum school: We offer bespoke, one-to-one drum lessons, tailored to the needs and goals of each individual student; furthermore, we regularly supply a range of unique and inspiring clinics and masterclasses for group events. We also have our own drum shop and a YouTube channel hosting a whole bunch of great tuition videos. Have a browse around the website and leave a comment, or drop us a line with any questions or queries. There’s always something new going on, so do please feel free to visit often!
Drum Lessons in Leicester with Dye House Drum Works are still only £19 per hour! [More Info]
As Dye House Drum Works celebrates 10 years housed at Quad Studios in Leicester, Lee Boyd Allatson – approaching his own 50th year – reflects on this impressive milestone in delivering 25,000 lessons within the field of drum set education.
“I can’t quite believe it myself! It was the various anniversaries which brought my mind to totting up how many total lessons this made and the number was a real shock! I’m very lucky to have discovered an area of the arts which resonates for me and, particularly since moving my teaching operation to Quad, I’ve fallen in love with the instrument again. I’m practising and developing my own skills in playing, as well as researching and taking on cross platform collaborations in the wider arts community. I’ve been workshopping and lecturing in universities across the UK, which has been very inspiring in being able to delve deeper into more specialist areas and topics. All of this ultimately feeds back through the one-to-one teaching, keeping me fresh and excited about music.”
Lee Allatson teaches one-to-one drum set lessons at Dye House Drum Works, Leicester. Monday to Thursday, 4pm – 8pm. Call Lee on 07976 16 16 26 to book.
Dye House Drum Works – Music Workshops and Lectures.
Dye House Drum Works has been working closely with Leicester College, helping students gain entry to higher level education and pro/semi-pro careers in music. As part of this relationship, I was recently invited to host two lectures as a guest speaker at the college’s Abbey Park campus for students enrolled on the Performing Musician and Music Technology courses.
Lee Allatson’s Musicianship and Musicality workshop at Leicester College, 2015
This past week or so I’ve been working on songs for a dep gig with a great band of local musician friends I’ve had the pleasure of working with on and off for some years. Their set is comprised of classic R&B, motown, funk and soul material, with some of the world’s top drummers in the chair on the original recordings – and so my job here is proving to be once again an enjoyable challenge!
One particular song on the list is a firm favourite with many and varied cover bands – and one which I have played on lots of occasions with several different outfits, but I would have to say that its truly sublime feel has proved to be one of the most elusive and revisited grooves with which I have ever wrestled to the point where, to date, I’ve never been happy with how I play it! …and this track was originally recorded by a guy who probably wouldn’t consider the drum kit to be his first instrument! Continue reading →
Respect – performed by Aretha Franklin, 1967 (written by Otis Redding).
Drummer: Gene Chrisman
Much of the rock & pop approach to drum rhythms relies heavily on a 2 & 4 ‘backbeat’ feel and in more recent times, regularity and repetition through the entire kit has proved to be the fashion.
I’ve played this song many times, but only quite recently stumbled upon the bare unpredictability of the bass drum here in Gene Chrisman’s playing. For me, it’s the totally natural work of a master with very much the whole picture in mind. Continue reading →
Advice for drummers: what is the role of the drummer?
An important and fundamental question we should pose ourselves as drummers – especially if taking early steps in playing drums – is ‘what is the role of the drummer?’ This is actually quite a difficult one to pin down as answers can be subjective and at least partly reliant on genre & context, but common responses might be: to keep time; to hold the band together or to create a rhythmic framework; to structure dynamics or perhaps to signal changes within the music. To whittle the focus of our art down to one catch-all phrase could be to deliver a great injustice to the history and players of our instrument. The role of the drummer – even in the simplest of conditions – is all these things, and so much more. Continue reading →